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Contaminated Purity
  • Contaminated Purity


    Photographic - pictorial work, unique piece, certified, autographed.


    Winner of the Artist of the Year Award 2022 - Cesenatico - Italy


    Printed with color pigments on 100% cotton Fine Art Gliceè Hahnemuhle museum paper, measuring 50x70 cm (image only), mounted on rigid support, with wooden frame approximately 12 cm, accompanied by certificate of authenticity and declaration of work with twin holographic stamps, of univocal numbering.


    The certificate contains all the information regarding the printed work: author, title of the work, year, print format, thumbnail of the image to be certified, author's signature, type of printing technology, type of paper used, type of ink used.




    - The work is mounted on a support, framed, without glass.

    - The work is shipped directly by Angelica Dainese by insured courier, fully packaged, to avoid any folding as much as possible.

    - Please payA LOTattention in handling this work and ofNOTtouch the printed part, in order to avoid damaging it with scratches or hand grease.

    Then handle the work by touching ONLY the frame, preferably wearing white cotton gloves.

    - Angelica Dainese is NOT responsible in any way for how the packages are handled by the courier after collection in the studio. If the package arrives damaged, please accept"with reserve"in order to check if the interior (instead) is intact, and if not, the customer must immediately contact the courier.




    This work represents a pure woman of soul who, in the course of her life, has beencontaminated by everything that has happened to her, or is still happening to her: pains, offenses,abuses, violence.The protagonist is naked, barefoot, without weapons, genuine, natural and authentic,covered only by an elaborate lace fabric, wide, precious and fragile - like herssoul - with hair adorned with light roses, which also symbolizepurity and delicacy.Walk in a dark world that she does not recognize as her world, surrounded byunclean pigs, but they are at his feet, since they cannot be at hislevel, but the mud or the animals themselves block them on their way.She would like to continue, as the raised foot suggests, but remains still - facefacing backwards - sad and disillusioned.He makes a gesture with his hand that could indicate both horror and repulsion.He would like to get away from this crap by trying not to hurt anyone, in fact thehand movement is gentle, but this excessive gentleness does not resolve itquestion of the pigs, and she remains still, suspended in the interminable moment that passes betweentake the step to (finally) go away and break free, or stay there.A contaminated purity, pearls to swine.


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